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<h1>A Not So Fancy Listing of Books</h1>
<div class="contents">
<dl>
<dt>
-<a href="#sec1">Marcus Aurelius</a>
+<a href="#sec1">Douglas Adams</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec2">Hitchiker's Guide to the Galaxy (collected)</a>
+</dt>
+<dt>
+<a href="#sec3">The Long Dark Tea-Time of the Soul</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec4">Aeschylus</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec5">Oresteia</a>
+</dt>
+<dt>
+<a href="#sec6">Prometheus Bound</a>
+</dt>
+<dt>
+<a href="#sec7">The Persians</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec8">Aristophanes</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec9">The Frogs</a>
+</dt>
+<dt>
+<a href="#sec10">The Clouds</a>
+</dt>
+<dt>
+<a href="#sec11">Ecclesiazusae</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec12">Aristotle</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec13">Ethics</a>
+</dt>
+<dt>
+<a href="#sec14">Categories</a>
+</dt>
+<dt>
+<a href="#sec15">Poetics</a>
+</dt>
+<dt>
+<a href="#sec16">Rhetoric</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec17">Marcus Aurelius</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec18">Meditations</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec19">William Blake</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec20">The Four Zoas</a>
+</dt>
+<dt>
+<a href="#sec21">Jerusalem</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec22">Neil Gaiman</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec23">The Sandman (series)</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec24">John Taylor Gatto</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec25">Underground History of American Education</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec26">Kahlil Gibran</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec27">A Tear and a Smile</a>
+</dt>
+<dt>
+<a href="#sec28">The Prophet</a>
+</dt>
+<dt>
+<a href="#sec29">Sand and Foam</a>
+</dt>
+<dt>
+<a href="#sec30">The Madman</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec31">Homer</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec32">The Odyssey</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec33">Aldous Huxley</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec2">Meditations</a>
+<a href="#sec34">The Doors of Perception</a>
+</dt>
+<dt>
+<a href="#sec35">Heaven and Hell</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec3">William Blake</a>
+<a href="#sec36">William James</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec4">The Four Zoas</a>
+<a href="#sec37">The Varieties of Religious Experience</a>
</dt>
<dt>
-<a href="#sec5">Jerusalem</a>
+<a href="#sec38">The PhD Octopus</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec6">John Taylor Gatto</a>
+<a href="#sec39">Henry James</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec7">Underground History of American Education</a>
+<a href="#sec40">The Altar of the Dead</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec8">Kahlil Gibran</a>
+<a href="#sec41">Gregor Kiczales</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec9">A Tear and a Smile</a>
+<a href="#sec42">The Art of the Metaobject Protocol</a>
</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec43">Søren Kierkegaard</a>
+</dt>
+<dd>
+<dl>
<dt>
-<a href="#sec10">The Prophet</a>
+<a href="#sec44">Sickness Unto Death</a>
</dt>
<dt>
-<a href="#sec11">Sand and Foam</a>
+<a href="#sec45">Either/Or</a>
</dt>
<dt>
-<a href="#sec12">The Madman</a>
+<a href="#sec46">Fear and Trembling</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec13">William James</a>
+<a href="#sec47">Alan Moore</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec14">The Varieties of Religious Experience</a>
+<a href="#sec48">Watchmen</a>
+</dt>
+<dt>
+<a href="#sec49">V for Vendetta</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec15">Gregor Kiczales</a>
+<a href="#sec50">Thomas More</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec16">The Art of the Metaobject Protocol</a>
+<a href="#sec51">Utopia</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec17">Søren Kierkegaard</a>
+<a href="#sec52">Friedrich Nietzsche</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec18">Sickness Unto Death</a>
+<a href="#sec53">Beyond Good and Evil</a>
+</dt>
+<dt>
+<a href="#sec54">On the Geneaology of Morals</a>
</dt>
<dt>
-<a href="#sec19">Either/Or</a>
+<a href="#sec55">Ecce Homo</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec20">Thomas More</a>
+<a href="#sec56">George Orwell</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec21">Utopia</a>
+<a href="#sec57">1984</a>
+</dt>
+<dt>
+<a href="#sec58">Animal Farm</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec22">Friedrich Nietzsche</a>
+<a href="#sec59">Plato</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec23">Beyond Good and Evil</a>
+<a href="#sec60">Symposium</a>
+</dt>
+<dt>
+<a href="#sec61">Euthyphro</a>
</dt>
<dt>
-<a href="#sec24">On the Geneaology of Morals</a>
+<a href="#sec62">Apology</a>
+</dt>
+<dt>
+<a href="#sec63">Crito</a>
+</dt>
+<dt>
+<a href="#sec64">Protagoras</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec25">Luke Rhinehardt</a>
+<a href="#sec65">Luke Rhinehardt</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec26">The Dice Man</a>
+<a href="#sec66">The Dice Man</a>
</dt>
</dl>
</dd>
<dt>
-<a href="#sec27">Neal Stephenson</a>
+<a href="#sec67">Neal Stephenson</a>
</dt>
<dd>
<dl>
<dt>
-<a href="#sec28">Snow Crash</a>
+<a href="#sec68">Snow Crash</a>
</dt>
<dt>
-<a href="#sec29">Cryptonomicon</a>
+<a href="#sec69">Cryptonomicon</a>
+</dt>
+</dl>
+</dd>
+<dt>
+<a href="#sec70">H.G. Wells</a>
+</dt>
+<dd>
+<dl>
+<dt>
+<a href="#sec71">The Island of Dr Moreau</a>
</dt>
</dl>
</dd>
<!-- Page published by Emacs Muse begins here --><h2><a name="sec1" id="sec1"></a>
-Marcus Aurelius</h2>
+Douglas Adams</h2>
<h3><a name="sec2" id="sec2"></a>
+Hitchiker's Guide to the Galaxy (collected)</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec3" id="sec3"></a>
+The Long Dark Tea-Time of the Soul</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec4" id="sec4"></a>
+Aeschylus</h2>
+
+
+
+<h3><a name="sec5" id="sec5"></a>
+Oresteia</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec6" id="sec6"></a>
+Prometheus Bound</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec7" id="sec7"></a>
+The Persians</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec8" id="sec8"></a>
+Aristophanes</h2>
+
+
+
+<h3><a name="sec9" id="sec9"></a>
+The Frogs</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec10" id="sec10"></a>
+The Clouds</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec11" id="sec11"></a>
+Ecclesiazusae</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec12" id="sec12"></a>
+Aristotle</h2>
+
+
+
+<h3><a name="sec13" id="sec13"></a>
+Ethics</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec14" id="sec14"></a>
+Categories</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec15" id="sec15"></a>
+Poetics</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec16" id="sec16"></a>
+Rhetoric</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec17" id="sec17"></a>
+Marcus Aurelius</h2>
+
+
+
+<h3><a name="sec18" id="sec18"></a>
Meditations</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••</span><span class="rating-bad">••••</span> (6) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••</span><span class="rating-bad">•••• </span> (6) / <em>Nonfiction</em></p>
<p>I enjoyed reading this collection of meditations on Stoic
philosophy. It is a fairly quick read; I read each of the twelve books
-<h2><a name="sec3" id="sec3"></a>
+
+<h2><a name="sec19" id="sec19"></a>
William Blake</h2>
<p class="first">Blake is my <a href="William%20Blake.html">favorite</a> of the English poets. His
with high resolution plate scans and full transcriptions among other
things.</p>
-<h3><a name="sec4" id="sec4"></a>
+<h3><a name="sec20" id="sec20"></a>
The Four Zoas</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
<p>The unfinished manuscript of Blake's longest apocalypse. The
Four Zoas divide from Albion and rage through the ages of dismal woe
Beulah.</p>
-<h3><a name="sec5" id="sec5"></a>
+
+<h3><a name="sec21" id="sec21"></a>
Jerusalem</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
<p>The finest of Blake's Illuminated works.</p>
-<h2><a name="sec6" id="sec6"></a>
+
+<h2><a name="sec22" id="sec22"></a>
+Neil Gaiman</h2>
+
+
+
+<h3><a name="sec23" id="sec23"></a>
+The Sandman (series)</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+<p>Perhaps the best comic book series of all time; I would say <em>The
+Sandman</em> as a whole ranks higher than anything even Alan Moore has
+written.</p>
+
+
+
+
+<h2><a name="sec24" id="sec24"></a>
John Taylor Gatto</h2>
<p class="first">Former teacher and now author-activist.</p>
-<h3><a name="sec7" id="sec7"></a>
+<h3><a name="sec25" id="sec25"></a>
Underground History of American Education</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
<p>An interesting <em>underground</em> history of the American education
system. Available
-<h2><a name="sec8" id="sec8"></a>
+
+<h2><a name="sec26" id="sec26"></a>
Kahlil Gibran</h2>
<p class="first">Kahlil Gibran is fairly interesting; his earlier works do not
the editions from the 50s and 60s (and cost quite a bit more,
naturally).</p>
-<h3><a name="sec9" id="sec9"></a>
+<h3><a name="sec27" id="sec27"></a>
A Tear and a Smile</h3>
-<p><em>Rating:</em> <span class="rating-good">•••</span><span class="rating-bad">•••••••</span> (3) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••</span><span class="rating-bad">••••••• </span> (3) / <em>Fiction</em></p>
<p>One of Kahlil Gibran's earlier works, I did not much like <em>A
Tear and a Smile</em> excepting the last poem ("A Poet's Voice").</p>
-<h3><a name="sec10" id="sec10"></a>
+
+<h3><a name="sec28" id="sec28"></a>
The Prophet</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
-<h3><a name="sec11" id="sec11"></a>
+
+<h3><a name="sec29" id="sec29"></a>
Sand and Foam</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
<p>An interesting little book of aphorisms.</p>
-<h3><a name="sec12" id="sec12"></a>
+
+<h3><a name="sec30" id="sec30"></a>
The Madman</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec31" id="sec31"></a>
+Homer</h2>
+
+
+
+<h3><a name="sec32" id="sec32"></a>
+The Odyssey</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec33" id="sec33"></a>
+Aldous Huxley</h2>
+
+<p class="first">Perhaps the most overrated modern writer. Other people have written
+everything he has to write better and many years before he got around
+to it.</p>
+
+<h3><a name="sec34" id="sec34"></a>
+The Doors of Perception</h3>
+<p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
+<p>Huxley stains the name of Blake by naming this horrible
+pseudo-scientific and pseudo-poetic essay after a line from <em>The
+Marriage of Heaven and Hell</em>. Subjectivity and objectivity are
+incommensurable; his attempt and being subjectively objective is
+utterly worthless.</p>
-<h2><a name="sec13" id="sec13"></a>
+<h3><a name="sec35" id="sec35"></a>
+Heaven and Hell</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> </span><span class="rating-bad">•••••••••• </span> (0) / <em>Nonfiction</em></p>
+
+<p>Blah blah LSD blah blah Mushrooms blah blah Peytoe blah blah I'm
+Aldous Huxley I'm a pretentious jerk. Don't bother.</p>
+
+
+
+
+<h2><a name="sec36" id="sec36"></a>
William James</h2>
-<h3><a name="sec14" id="sec14"></a>
+<h3><a name="sec37" id="sec37"></a>
The Varieties of Religious Experience</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
<p><a href="William%20James%20-%20The%20Varieties%20of%20Religious%20Experience.html">A partially finished extended summary</a></p>
-<h2><a name="sec15" id="sec15"></a>
+<h3><a name="sec38" id="sec38"></a>
+The PhD Octopus</h3>
+
+<p><em>Nonfiction</em></p>
+
+<blockquote>
+<p class="quoted">
+America is thus as a nation rapidly drifting towards a state of things
+in which no man of science or letters will be accounted respectable
+unless some kind of badge or diploma is stamped upon him, and in which
+bare personality will be a mark of outcast estate. It seems to me high
+time to rouse ourselves to consciousness, and to cast a critical eye
+upon this decidedly grotesque tendency. Other nations suffer terribly
+from the Mandarin disease. Are we doomed to suffer like the rest?</p>
+
+</blockquote>
+
+<p><a href="William%20James%20-%20The%20PhD%20Octopus.html">Full Text</a></p>
+
+
+
+
+<h2><a name="sec39" id="sec39"></a>
+Henry James</h2>
+
+<p class="first">The novelist brother of William James; I've not read many (read:
+one) of his books, but what I did was decent.</p>
+
+<h3><a name="sec40" id="sec40"></a>
+The Altar of the Dead</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
+
+<p>A short novella about a man who maintained an altar in a church
+for all of his lost loved ones on the surface, but something a bit
+more beneath.</p>
+
+
+
+
+<h2><a name="sec41" id="sec41"></a>
Gregor Kiczales</h2>
-<h3><a name="sec16" id="sec16"></a>
+<h3><a name="sec42" id="sec42"></a>
The Art of the Metaobject Protocol</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
<p>AMOP is useful as a reference to the CLOS MOP (although less so with
the online MOP spec), but the true value of the book lies in the first
-<h2><a name="sec17" id="sec17"></a>
+
+<h2><a name="sec43" id="sec43"></a>
Søren Kierkegaard</h2>
<p class="first">Kierkegaard was a master of style and philosophy; his writing is
interesting even if one finds the theistic extentialism espoused
disagreeable.</p>
-<h3><a name="sec18" id="sec18"></a>
+<h3><a name="sec44" id="sec44"></a>
Sickness Unto Death</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
<p>I purchased this when I was looking through books at a store after
being unable to find the book I really wanted, and I must say that it
forces reflection.</p>
-<h3><a name="sec19" id="sec19"></a>
+
+<h3><a name="sec45" id="sec45"></a>
Either/Or</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••••</span> (10) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Nonfiction</em></p>
<p>Composed of two portions, <em>Either/Or</em> is a rather lengthy but
rewarding read. The first book is a series of essays and a diary of a
-<h2><a name="sec20" id="sec20"></a>
+<h3><a name="sec46" id="sec46"></a>
+Fear and Trembling</h3>
+
+<p><em>Nonfiction</em></p>
+
+<p>An interesting dialectical lyric contrasting Despair and Faith.</p>
+
+
+
+
+<h2><a name="sec47" id="sec47"></a>
+Alan Moore</h2>
+
+
+
+<h3><a name="sec48" id="sec48"></a>
+Watchmen</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec49" id="sec49"></a>
+V for Vendetta</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec50" id="sec50"></a>
Thomas More</h2>
-<h3><a name="sec21" id="sec21"></a>
+<h3><a name="sec51" id="sec51"></a>
Utopia</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
<p>I read most of Utopia in high school with the TI-89 ebook reader, but
the way the book was split up made it a bit difficult to grasp the
-<h2><a name="sec22" id="sec22"></a>
+
+<h2><a name="sec52" id="sec52"></a>
Friedrich Nietzsche</h2>
<p class="first">A bit acerbic and esoteric, Nietzsche is for me a good <em>secular</em>
only Nietzsche the asshole rather than Nietzsche the master of the
polemic.</p>
-<h3><a name="sec23" id="sec23"></a>
+<h3><a name="sec53" id="sec53"></a>
Beyond Good and Evil</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Nonfiction</em></p>
<p>A somewhat more comprehensible, if a bit less aesthetically
pleasing, presentation of much of the philosophy found in <em>Thus Spoke
-Zarathustra</em>. The final chapters are very important (not to detract
-from the value of the rest of the work) if one wishes to understand
-<em>On the Genealogy of Morals</em>.</p>
+Zarathustra</em> in the negative form. The final chapters are very
+important (not to detract from the value of the rest of the work) if
+one wishes to understand <em>On the Genealogy of Morals</em>.</p>
+
-<h3><a name="sec24" id="sec24"></a>
+<h3><a name="sec54" id="sec54"></a>
On the Geneaology of Morals</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Nonfiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Nonfiction</em></p>
<p><em>On the Geneaology of Morals</em> is a wonderful book of three
polemical essays on the origin of moral/ethic valuations, and the
-<h2><a name="sec25" id="sec25"></a>
+<h3><a name="sec55" id="sec55"></a>
+Ecce Homo</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Nonfiction</em></p>
+
+<p><em>Ecce Homo</em> is Nietzsche's very strange autobiography and
+explanation of his own works. At points it is clear that it could have
+used a bit more editing (prevented by Nietzsche ... falling into a
+catatonic state and all), but is still a very useful book to read as
+Nietzsche explains the overall structure of his works.</p>
+
+
+
+
+<h2><a name="sec56" id="sec56"></a>
+George Orwell</h2>
+
+
+
+<h3><a name="sec57" id="sec57"></a>
+1984</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> ••••••••••</span><span class="rating-bad"> </span> (10) / <em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec58" id="sec58"></a>
+Animal Farm</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec59" id="sec59"></a>
+Plato</h2>
+
+
+
+<h3><a name="sec60" id="sec60"></a>
+Symposium</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec61" id="sec61"></a>
+Euthyphro</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec62" id="sec62"></a>
+Apology</h3>
+
+<p><em>Nonfiction</em></p>
+
+
+
+
+
+<h3><a name="sec63" id="sec63"></a>
+Crito</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+<h3><a name="sec64" id="sec64"></a>
+Protagoras</h3>
+
+<p><em>Fiction</em></p>
+
+
+
+
+
+
+<h2><a name="sec65" id="sec65"></a>
Luke Rhinehardt</h2>
-<h3><a name="sec26" id="sec26"></a>
+<h3><a name="sec66" id="sec66"></a>
The Dice Man</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••</span><span class="rating-bad">•••</span> (7) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
<blockquote>
<p class="quoted">
-<h2><a name="sec27" id="sec27"></a>
+
+<h2><a name="sec67" id="sec67"></a>
Neal Stephenson</h2>
-<h3><a name="sec28" id="sec28"></a>
+<h3><a name="sec68" id="sec68"></a>
Snow Crash</h3>
-<p><em>Rating:</em> <span class="rating-good">•••••••••</span><span class="rating-bad">•</span> (9) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> •••••••••</span><span class="rating-bad">• </span> (9) / <em>Fiction</em></p>
<p>As one must read the <em>Bible</em> to understand English literature, so one
must read <em>Snow Crash</em> today to be a nerd. In the realm of modern pop
as more than mere cyberpunk fiction.</p>
-<h3><a name="sec29" id="sec29"></a>
+
+<h3><a name="sec69" id="sec69"></a>
Cryptonomicon</h3>
-<p><em>Rating:</em> <span class="rating-good">••••••••</span><span class="rating-bad">••</span> (8) / <em>Fiction</em></p>
+<p><em>Rating:</em> <span class="rating-good"> ••••••••</span><span class="rating-bad">•• </span> (8) / <em>Fiction</em></p>
<p>I read <em>Cryptonomicon</em> when it was new, and at the time I thought it was
good. It could have lost a hundred or so pages without detracting from
+
+<h2><a name="sec70" id="sec70"></a>
+H.G. Wells</h2>
+
+
+
+<h3><a name="sec71" id="sec71"></a>
+The Island of Dr Moreau</h3>
+
+<p><em>Rating:</em> <span class="rating-good"> •••••••</span><span class="rating-bad">••• </span> (7) / <em>Fiction</em></p>
+
+
+
<!-- Page published by Emacs Muse ends here -->
<p class="cke-buttons">
</a>
</p>
-<p class="cke-footer">Mike: GOD DAMMIT CLINTON
-Mike: I need to get you a copy of everything from the renaissance.
-Mike: BECAUSE THE RENAISSACE WAS LIKE "Heyyyyyy we're starting to
- semi-doubt religion! LOOK INVENTIONS!!!"
+<p class="cke-footer">No, there's nothing here about X, so be quiet.
</p>
<p class="cke-timestamp">Last Modified:
- August 6, 2008</p>
+ December 14, 2008</p>
</body>
</html>
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